«The sea is on fire». What movies are made in Europe and Russia?

Can cinema have a truly national character, what is so special about the Romanian and the Greek waves in cinema, what issues do European directors put in the centre of their films, and why in Russia and EU people were queuing up to watch “Dovlatov” or “No Love”? We discuss these and other issues with Anton Dolin, cinema critic and editor-in-chief of The Art of Cinema magazine

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